Erotica Readers & Writers Association Blog

Thursday, January 24, 2013

Writing This Novel Part III



by Kathleen Bradean

However you write is the right way to do it. Forget The Rules. If you plot out everything ahead of time, good for you. If you sit down and write with no idea where the story is going, that’s great too. I’m telling you this because what follows is my weird method and I’d hate for you to think it’s The Right Way or The Only Way to go about it. 

I’m about thirty thousand words into The Night Creature. It will probably be around sixty thousand words when complete, so that’s theoretically half way through. Now I’m in what writer Jim Grimsley so accurately described as ‘the murk in the middle of the novel.’ If you’re into the journey through the woods metaphor, this is the moment when you lose sight of the forest for the trees. The ending seems unreachable. Maybe by now the story bores you. You fell out of love with it once you got to know it better. Hey, it happens. I’m wondering myself if I’m on the right track, if I’ll be able to tell the story I set out to, and if it’s worth telling even if I can. Yep, I’m stuck in the murk.

Several options here. 1) procrastinate 2) blunder around until I discover the right path to the end, or 3) give up.

Many writers have procrastination honed to a fine art. Deadline looming? Wash the dishes and vacuum the spider webs off the ceiling. Have a cookie. Then decide you need tea with that. Or scotch. Then go to FaceBook and look at cat memes.  Stuck and floundering? Throw yourself into research. The internet makes it so easy. You don’t have to head to the library with focused questions and a limited amount of time and patience. Oh no. You can look up the price of a Hermes scarf in British pounds. Google Maps with street view is a fantastic tool. I found out there are no caf├ęs on the same street as the Hermes store in Paris. I also know there are five Hermes boutiques in Paris, but I showed some restraint and only looked at one. Eventually, I had to get quite stern with myself and stop playing around with the wealth of information out there. As Mary Poppins says, “Enough is as good as a feast.”  

Writing articles about writing a novel is a great procrastination technique, by the way. But now people are tracking my progress, so I feel a little pressure to stop screwing around and get it done.

Too much procrastinating is a bad habit, but it can be useful. It gives me time to step back from the story for a while and mull over the story arc and insights into who the characters have become as the story unfolds. The order of events tightens into focus. It’s a chance to play around with ideas before I commit them to words, or so I tell myself. The problem is that I’m stuck and until I can move forward, fooling around with research seems as useful as staring at that damned blinking cursor. What comes next? I have no idea! Leave me alone, you nagging black line of doom!

Yeah, yelling the cursor isn’t productive. 

One trick to avoid being stuck: When you finish a writing session, get one or two sentences of the next scene down before you stop. That way you’re primed to move on when you open the file the next time. Or stop just short of the natural end of the scene. If you have an easy writing prompt to start with, you’re more likely to type the next sentence.

But what do you do if that doesn’t work? This is where the ‘this works for me but I don’t recommend it’ part comes in. The blundering about method. I go over what I’ve already written and tighten it up. You’re not supposed to start editing until the first draft is complete. The reason for that ‘rule’ is that some writers futz around with their first chapters forever and never move on. The reason I break the rule is that rules are really only guidelines, and guidelines are code for ‘this works for many people.’ That’s no guarantee it will work for you and I’ve found it doesn’t for me. That being said, the first novel you write, your major goal should be to finish it. Millions of people begin novels. Few finish them. Finish yours. Revel in the accomplishment. Slog through to the end no matter what. Then go back and edit. (says the woman who admits she doesn’t do it that way)

 I try to write a linear, meaning that I don’t tend to write scenes out of order. Every sentence in your story should have forward momentum toward the end. Jumping ahead or behind disturbs the forward flow of the narrative. (That can be fixed in the editing process) But just because that’s what I prefer to do doesn’t mean it’s what I really do. A few days ago I wrote a wonderfully evocative scene but realized later that it occurred too early in the emotional arc of the story. Normally, I’d just delete it and write it again later.

You’re probably screaming right now. I know, I know. You’re supposed to save all your precious snippets and tuck them away for later. This is where my view of writing may differ dramatically from yours. I don’t think of anything I’ve written as a rare gem to be set in a tiara to make it sparkle. I’m not saying that you do, or that’s it’s wrong to feel that way. It simply isn’t my approach to my writing. While I write literary erotica, pretty prose isn’t my aim. So it’s rare that I feel anything I’ve written is too precious to delete. I care very much about the emotions evoked in my scenes though, so often the only thing I ‘save’ is an impression of the emotional impact.

However, this time I really liked the way the scene turned out. Plus it took me a long time to write. So I cut and pasted it to the end of my MS (manuscript). It’s lurking out there, waiting for me. Once I reach the right place in the story to incorporate it, I may have to entirely rewrite it to make it fit into the flow of the story. Or cut it if it never fits. I’m sort of brutal that way.

I knew that scene didn’t come next, but what did? Cut to me pacing in the backyard and thinking quite a bit about the story. For days.

Truly stuck at this point, this is when I daydream about being one of those writers who creates an outline before they begin writing. How lovely it would be to see that my next scene is ____. It’s written in stone. It’s meant to be. Yeah. No. The problem with outlines is that I discover the story while I’m writing it. An outline I wrote in advance would be worthless after the first major deviation from it, so why bother? Or worse, I’d try to force the story back to the outline and just… *full body shudder* Not going to happen.

Rather than give up on the novel now that I’m mired down in indecision, this is time to dig into my bag of writer’s tricks to get moving again. The first thing I did was make myself stay away from FaceBook and all other temptations. Then I deliberately wrote a scene I knew was wrong. I used a POV (point of view) character who had no business narrating any part of the story. I explored how she saw the major characters, what changes she noticed in them, and let her ramble on about things that mattered only to her. When I’m not sure what to do next, doing the most wrong thing helps me focus on the right thing. Sure, I wrote a thousand words that I deleted the next time I sat down to write, but I was writing, which beats glaring at the blinking cursor.

When even that trick failed, I broke another one of my rules. I wrote part of the closing scene of the story. I’ll probably have to rewrite it entirely, but it reminded me where I was headed, what was at stake for the characters, and all the events that must happen before they get to that moment. That got me moving forward again, but I also realized something that was wrong way at the beginning of the novel. When you have an option, write new stuff and move forward. Even though it’s killing me to leave the error, I’m working toward the end. I can fix the errors in the editing process. I keep telling myself that. I will avoid temptation!

Is it ever the right decision to give up? I hate to say yes, but the answer is yes. I know some writers who start off strong and know the ending but simply can’t write the middle of the novel. Part of it may be a loss of faith. Sometimes it’s something outside the book such as fear of failure, fear of success, or one of the other evil mind games we play on ourselves.

What if you can’t write more because the story reached a point where it bores you? News flash – if it bores he writer it will bore the reader, so save us all the grief and figure out how to make it interesting. Do you just want to get to the exciting stuff? Then deal with the dull stuff in a sentence or two and get on to the fun part.

But what if that doesn’t work? If you have a bad habit of quitting at this point, force yourself to slog through it. Forcing yourself to finish might not help you produce a publishable novel but you’ll have broken your streak of unfinished work. Then move on to another novel and force yourself to finish it. However, if it isn’t a habit and you just can’t write any more on this story and more urgent ones are hammering at your brain trying to get out, then your best option might be to set this one aside for a while, maybe forever. Give up. Making yourself miserable isn’t worth it. Do you have a contract for the novel? No? Then let it go. Yes? Oh man. You’re in a spot, aren’t you? Put on your professional writer hat (or panties) and try anything, everything, to get it done.

Whatever you do, no matter how uninspired you feel, force yourself to write. That’s my best advice to escape the murk in the middle.

Let me know if you have tricks that help you write when you’re not feeling it. I’m always interested in what other writers do.


Next time, I expect to have finished my novel. I’ll tell you how I brought it on home.

10 comments:

  1. Hey, Kathleen,

    I think every author should read this post, if only to dispel their illusions - and to hammer home the point you keep making, that the rules are only guidelines and you simply have to find out what works for you.

    Sounds as though you're really brutal, though. I can't remember ever throwing away an entire scene.

    I do take issue, a bit, with this:
    "What if you can’t write more because the story reached a point where it bores you? News flash – if it bores he writer it will bore the reader, so save us all the grief and figure out how to make it interesting." Speaking for myself only, I can't rely on my own reactions to my own story once I'm in the murk. If I'm bored, my readers might be too - but my feelings are not diagnostic. I just have to force myself to keep going, regardless of how I feel, and have faith that I'll work it all out in the end.

    Indeed, writing a novel really is an act of faith. Congratulations on taking the leap. I'm really looking forward to reading the result.

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  2. Lisabet - I think your boring parts aren't my boring parts. I have such a complete fantasy in that movie in my head, but not all of it needs to go on the page. Otherwise, my poor readers would suffer through three pages of driving through Bavaria in winter. Great cinematic shot. Dull reading.

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  3. Kathleen, thanks for this post. I got two rejections yesterday and felt the murk seeping in on the two stories I was working on. One an erotica piece for the same submission (different antho) that I just got rejected from and the other a horror fiction short. While my word count will be much less on these two than yours is (about 5 K each) I understand what you mean about falling out of love with a story and how we writers tend to do anything to distract ourselves.

    Yes...I washed all nine dogs, shaved one, ran the sweeper around the house and started knitting a scarf and crocheting a cowl. All the while plotting and thinking about my WIP's.

    One thing that did help was to look at all the submissions here and get my juices reving again. I have been published twice thanks to the wonderful submission list (Coming Together: Hungry For Love and Storm Moon Press Milk, Cookies and Handcuffs) and it makes my heart happy and pushes my limits as a writer to keep trying new things. And to think about ways I can tweak the story that got rejected into a longer piece that may hold a better home in the end.

    The other thing I wanted to add was you are so right about stopping on a project that just loses you. I have two YA novels in the works and they are so stuck in the mud it isn't funny. I started them years ago and will go back, but needed to do something to rev the engines. ERWA gave me that with the short stories and I couldn't be happier. :)

    I was reading another submission list from Horror Tree (awesome site if you write horror) and they had a listing for Ray Bradbury writer tips. One was to write a short story every week because it was hard to write 52 consecutive bad stories. :) I am taking that to heart and pushing myself. Could work for someone else too, and maybe fill a submission while I am at it. :)

    Happy writing and thanks for the inspiration. It can be lonely behind the computer and its nice to know we all have the same trip ups and hurtles to climb over.

    Best,

    Erzabet Bishop

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  4. Erzabet - congratulations on your successes! Clean dogs and writing :)

    Writing is such a solitary thing that it's good to get together and share our woes, but also the good things, like an acceptance. I don't think I could write a short story a week, but it would be fun to try.

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  5. Kathleen, this post is wickedly funny and true. It's encouraging to know that writers I admire sometimes feel lost in mid-novel. So far, I've avoided the murk, more-or-less, because the few novels I've written started out as short stories -- therefore I knew how they were going to end before I started expanding them into chapters. I agree with Lisabet that you sound brutal in pursuit of your art -- I wouldn't delete a scene of 1000 words, even if it didn't fit in the current WIP. (I would look for another home for it.) We're all hoping to hear from you again from your novel is finished. :)

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  6. Jean - thanks!

    Getting the transition right and smooth when plugging a scene into place strikes me as more work than rewriting the whole thing, but as I mentioned, there's no right way, there's only what works, and I don't recommend my methods to any sane writer. ;)

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  7. Yes, we writers... all we do is sit at a desk and bang away at a keyboard an magically a great story or book appears.

    That is then, more often than not, ignored.

    I have learned in my journey that writing is both a curse and a blessing.

    The mid section oh wow- the excitement of the introductions of characters, plot line, sub plots, yadda yadda has worn off, and now it's a slog. Oh yeah... I get that.

    Sorry to sound like a sycophant, but when I began writing I got hold of 'On Writing' by King. The one rule that he gave that I have followed is make a word count commitment for every day when I start a project. I do novels, so from the beginning I was in long term projects. King's number is 2K words a day when he's in a project, and so, like a fool, I said, OK, that's for me!

    And when the wheels came off, Tom Wolfe's advice or observation got me through. I don't recall the exact quote, but it was along the lines of:

    When I slog through it, I find my uninspired writing turns out just as good as my inspired writing.

    I know myself well enough that I can't afford to walk away from a work in progress. When it's on the burner, if I stop, even for a day, I'll lose my momentum (even if I'm stuck in the mud, my engine's still running).

    I have had many, many sessions where all I was doing was writing drivel just to adhere to my 2K / day commitment. And yet, when I went back to edit, I found that crap was actually OK. Go figure.

    I now have four manuscripts done, and one has been self pub'd on Amazon. That first one is a good example of throwing stuff out.

    My first book went up in July, and in December I decided to enter it in the ABNA contest. It had been sitting on Amazon from July to Dec doing nothing- Nothing in sales.

    So I re-read it. That was my third draft that was up there. Uh-oh...

    There were so many problems with it! Took down a 45K short novel and cried and cried. I had to throw out more than half of it. Gone.

    And start all over. I had 30 days.

    Rewrite- re-edit-final write in 30 days.

    Put it back up at 80K.

    If I sound proud, it's cuz I am!

    The curses of writing we all know; I'm not going to re-iterate them here.

    The blessings- oh my...

    The world sticks to me more. I see life around me with such clearer eyes now.

    The ability to create universes of my own design.

    The sense of accomplishment.

    And a good review. Wow.

    People who think we 'sit at a keyboard and bang out magic' don't have any effect on me any more. They can't get it. They don't realize the solitary work involved in someone learning and executing a craft.

    We do here.

    I hope my ramblings about my experiences helped. My two rules are stick with it, and work through the mud.

    And rule 3 maybe, do something physical after my session. A walk, the gym, housecleaning, I dunno. Actually, b/c of my 2k rule, housecleaning now is my reward.

    How screwed up is that?
    LOL

    Peace to all of us.
    KD

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  8. K.D. I love King's On Writing! I should read it again. I also agree with Tom Wolfe. The reader doesn't know if the words flowed or if the writer had to wrestle each one. It reads the same.

    It's a big step when you can look at your work and say "this needs to be fixed." How to fix it is another big step. So congratulations on recognizing that in your work, and huge congrats for getting it done!

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  9. I recognized so much of my own writing process in this! It does make one feel less alone when another writer shares what REALLY happens and ways to get through it.

    Interesting that when I finish a day's work I leave the manuscript with a few sentences or at least notes from the next scene I'm going to write. Something that simple really greases the wheels for the next day.

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  10. Donna -thank you for saying that! It makes me feel slightly less odd.

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